Kelly-Anne Gower … Ensemble ’Master of the House’ Sarah Flind … Ensemble ’Master of the House’ Simon Fisher-Becker … Ensemble ’Master of the House’ Kerry Ellis … Ensemble ’Master of the House’ Richard Colson … Ensemble ’Master of the House’ Michael Cahill … Ensemble ’Master of the House’ Tony Bignell … Ensemble ’Master of the House’ Gerard Bentall … Ensemble ’Master of the House’ Rebecca Sutherland … Ensemble ’Lovely Ladies’
Nancy Sullivan … Ensemble ’Lovely Ladies’ Rachel Stanley … Ensemble ’Lovely Ladies’ Robyn Miranda Simpson … Ensemble ’Lovely Ladies’ Olivia Rose-Aaron … Ensemble ’Lovely Ladies’ Holly Dale Spencer … Ensemble ’Lovely Ladies’įania Grigoriou … Ensemble ’Lovely Ladies’Īmanda Henderson … Ensemble ’Lovely Ladies’Īlexia Khadime … Ensemble ’Lovely Ladies’Īmy Ellen Richardson … Ensemble ’Lovely Ladies’ Sonya Cullingford … Ensemble ’Lovely Ladies’ Rachael Archer … Ensemble ’Lovely Ladies’Īntonia Clarke … Ensemble ’Lovely Ladies’ Phil Zimmerman … Ensemble ’At the End of the Day’Īmelia Scaramucci … Ensemble Factory Woman Sebastian Sykes … Ensemble ’At the End of the Day’ Peter Saracen … Ensemble ’At the End of the Day’ Steven Matthews … Ensemble ’At the End of the Day’
Being at the head of a major institution and therefore being in a position of being able to, and expected to, wield a certain level of authority, that has separated her from not only her craft and her creative instinct, but also from who she is.Richard Bremmer … Ensemble ’At the End of the Day’Īlexander Brooks … Ensemble ’At the End of the Day’Įleanor Bruce … Ensemble ’At the End of the Day’Įmma Dukes … Ensemble ’At the End of the Day’ The actress continues, "The character of Lydia-even though there’s a very clear understanding in the community in which she moves of who she is and how she thinks and what she’s achieved-she’s someone who has become estranged from herself. We understand what the corruption of male power looks like, but we need to unpack what power is itself." "Because the film is a meditation on power, you would’ve had a much less nuanced examination of that. "When Todd was thinking about it, Tár was originally a male role," Blanchett told Michelle Yeoh during Variety’s Actors On Actors series. She is not, but the psychological thriller-directed by Todd Field-is authentic in its portrayal of an abusive composer-conductor. After watching Tár, viewers may be inclined to Google if Lydia Tár, played by Cate Blanchett, is a real person.
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